![]() The Neptunes’ unique production with its distorted synths and glamorous, somewhat dreamy piano lines on tracks like “Ride Around Shining” make a perfect atmosphere for the duo to come through with their gritty lyricism. And what helped shape the sound and aesthetic of Hell Hath No Fury apart from the brothers’ obvious talent as lyricists and chemistry is none other than Pharrell Williams and Chad Hugo’s instrumentals. On “Momma I’m So Sorry” and “Hello New World” Malice and Pusha are all about union, rallying the D-boys to put their differences aside to come together as one so they can all succeed. The streak of highlights continue throughout the following tracks.
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